Afro American Music Essay

545 words - 3 pages

In Cornell West reading on Afro-American Music: From Bebop to Rap; West discussed three major points about Afro-American music. West also discuss on how Afro-American music alienated young people. Afro-American music, its rhythmic effects are meaningless with status quo according to West. Afro-American music is a reflection on Afro-American culture since the early times as slavery.
According to West “First, the rise of the United States as a world power focused international attention more pointedly on native U.S. cultural forms and styles.” As the Untied States grew in power, so did Afro-American music came to be with a social freedom and linguistic wealth instead of pecuniary wealth. Example, Jazz with its melody and vocalization shown frustrated aspirations and aggressive emotions of ...view middle of the document...

Also, songs that influent the Afro-American community as the folk blue in 1900th to the 1950th southern blues and the smooth jazz 1990th change by recording industry. Motown was the main cause, which made Afro-American music boom cross the United States according to West. Motown was a recording companying build by Berry Gordy in 1958, which made black musicians, writers, singers and producers a phenomenal success. Since, Motown was establish, West say that Afro-American lost its music soul touch by artists as James Brown who made “I wanna know if it’s good to you” and ‘Losse Booty.” Also, the Temptations songs as “My girl” and “Since I lost my baby”, which absolutely had no heritage music as previous Afro-American music had for black religious, gospel and its soul.
As Afro-American music grew so did Motown records, which became a so call “sell out” among the black community. Motown made Afro-American music from folk music about the spiritual struggle, personal empowerment, human rights and perseverance about the Afro-American community to a commercially market within the white American audience. According to West, Motown distort and produced music for Afro-American to dance: twist, jerk, boogaloo, philly dog and skate, deliberately filtering the core root of the Afro-American music.
The final point West made “Afro-American music is first and foremost, thought not exclusively or universally, a countercultural practice with deep roots in modes of religious transcendence and political opposition.”West agreement is that today artist music does not have a bit of soul struggle of the Afro-American community, but only interest in wealth for a status quo. Example, Michael Jackson was not a musical revolutionary within Afro-American history as Louis Armstrong.

Other Essays Like Afro-American Music

Symbolism and History in Robert Hayden's Angle of Ascent

5972 words - 24 pages muse. Friedlander argues that Hayden poems show an interest in Afro-American history because when he was a young poet, he knew that his history was misrepresented giving him the need to clearly understand his past (Seymour and Hardy 16). Angles of Ascent” focuses on the conventional history of black literature. An extensive collection of modern poetry, it skillfully archives some of the most provocative African-American voices in the American

Sterling Allen Brown: Academic And Writer

1195 words - 5 pages referents are African-American music and mythology. Brown was born in May 1901 and graduated with honors from Dunbar High in 1918. when after he went to Williams college on a scholarship and was the only student awarded Final Honors. From 1922 to 1923 Brown took a masters degree in English at Harvard University. Brown conducted a form of unorthodox anthropology fieldwork among southern ebony individuals within the 1920s and afterward engendered a

Tarlac Dike Kerima Polotan

1593 words - 7 pages dance term with two quite different meanings. First, it means Cuban event of African style, organically related to the rumba genre of Afro-Cuban music. There are several styles of this rumba, the most common being the guaguancó.[1] Second, it refers to one of the ballroom dances which occurs in social dance and in international competitions. In this sense, rumba is the slowest of the five competitive International Latin dances: the paso doble

Langston Hughes: A Poet Supreme

2438 words - 10 pages current Afro-American popular music and sources from which it has progressed--jazz, ragtime, swing, blues, boogie-woogie, and be-bop--this poem on contemporary Harlem, like be-bop, is marked by conflicting changes sudden naunces, sharp and impudent interjections, broken rythems, and passages sometimes in the manner of the jam session, sometimes like the popular song, puncuated by the riffs, runs, breaks, and distortions of the music of a

Black Press Day

1750 words - 7 pages . “(Hurston, 2008-2011) The Harlem Renaissance had a profound impact not only on African-American culture but also on the cultures of the African Diasporas as a whole. Afro-Caribbean artists and intellectuals from the British West Indies were part of the movement. Moreover, many French-speaking black writers from African and Caribbean colonies who lived in Paris were also influenced by the Harlem Renaissance. More importantly, during the Harlem

Harlem Renaissance - 1

1262 words - 6 pages Movement” as it was then called, heralded the zenith of modern African literature. Though it was centered around the Harlem, New York, many Afro-Caribbean writers were also inspired by this movement to produce epic pieces of literature. In this paper we concentrate on the great poetry that ebbed and flowed during this movement and most particularly on two poets of the period: Claude McKay and James Weldon Johnson. One of the pioneers of the

History Of Harlem

4387 words - 18 pages History of Harlem Question 1 Number 1: "The New Negro" Alain Locke edited a volume of critical essays and literature entitled the New Negro. In it, Locke heralded a spiritual awakening within the Afro-American community. It was manifested by a creative outburst of art, music and literature as well as by a new mood of self-confidence and self-consciousness within that community. The center of this explosion was located in Harlem

Salvation

1460 words - 6 pages INTRODUCTION Afro centricity is a concept propounded by Molefi Asante which according to him is a paradigm based on the idea that African people should reassert a sense of agency in order to achieve sanity. This concept is concerned more about the African values and cultures. One can say it is a pan African ideology in culture, philosophy, and history. It is a call for social change. This concept had its origins from an African American society

The Impact of American Colonial Rule on Puerto Rican Society

2843 words - 12 pages The Impact of American Colonial Rule on Puerto Rican Society In 1982 a journalist by the name of Luis Lòpez Nieves published an article in La Claridad, a well-respected pro-independence news weekly in Puerto Rico. The article revealed new information concerning the history of the American invasion of Puerto Rico. According to Nieves the U.S. did not raid the island on July 25, 1898, rather a few days earlier in a town called Seva. Apparently in

Is equality for all a realistic and desirable aim within society?

1515 words - 7 pages expectations of men and women have changed much, for it is not uncommon now for women to be the breadwinners in the family as well, nor is it seriously frowned upon to be a househusband. Hence one could argue that a certain degree of equality has been reached. The same case can be made for racial tolerance. In the 19th Century wherein America was rife with racial discrimination against the Afro-Americans, there was strong opposition to even a mere

Cultural Diversity in Paris

1470 words - 6 pages allure the city once held for its prominent contributions to the world of the arts including drama, painting, literature, music, fashion, and even architecture and landscape. I however think that although Paris is indeed one of the most beautiful cities in the world, and perhaps even one of the great wonders of the worlds, by today’s standards it is a city that parallels the vast diversity exemplified in other major global cities like

Related Papers

Native American Music Essay

3345 words - 14 pages African American communities in the ‘Deep South’ of the U.S.,” following that the “genre is a fusion of traditional African music and European folk music” and “can be traced back to the music of Africa.” The page states, clearly, how blues particularly “relates to the religious music of the Afro-American community, the spirituals.” Notice that the top 3 resulting pages to a broad search, “history of the blues,” fail to recognize a single hint toward

The Great Show Of Minstrelsy Essay

1566 words - 7 pages ” (Afro). Minstrelsy was a product of its time that brought a new combination of musical individualities together. Minstrel Shows were a combination of singing, moving around, sometimes even dancing, and instrumental music that exemplified the discrimination against African Americans. Minstrel Shows had qualities that were brought into popular music and made its mark as distinctively American. They had an irreverent attitude that cared very

The Evolution Of African American Gospel Music In America

4640 words - 19 pages including "There Will Be Peace in the Valley" and "Precious Lord, Take My Hand." One of the strong appeals to his music was that it encouraged participation and improvisation on the part of the audience who could feel comfortable with the use of primary chords, standardized chord progression, metaphorical language, and frequent bible illusions. In "Reflections on Afro-American Music", Dorsey conveyed the universal purpose of his music: "I don't write

Multicultural Experience Essay

1073 words - 5 pages exposed a large population of westerners to Cuban son and for the first time, Afro-Caribbean music became popular in America. Renamed the Rumba, the music and dancing begin to appear in American salons in the 1930s and is still a popular style today among ballroom dancers. The Rumba in many ways looks like a slower version of salsa. It's got some of the footwork elements, the Cuban hip motion, and arm styling (Articlesbase, 2009). In short, Africans