In Shakespeare’s lifetime he wrote many plays. Many of them were critically acclaimed
and others cast aside. The crowd always wanted to be more thoroughly entertained and
Shakespeare always tried to keep up with the people’s needs. In 1605, Shakespeare was being
hounded for another work of genius. Hamlet and King Lear had just been completed and the
people begged for more. He knew not of what to write and like many playwrights, he did
research. He found two stories from Hollinshed’s Chronicles of England, Scotland and Ireland.
Shakespeare had already taken ideas from Hollinshed for his plays like Henry IV and Henry V.
William decided to combine the reign of Macbeth and the murder of King ...view middle of the document...
Scarcely a word is wasted, and vivid images
tumble after each other in a stream of color and ideas. (Ross 43)
Shakespeare put great thought into what he wanted to write and his feelings expressed
themselves through the stylistic devices of tone, characterization, and symbolism.
Shakespeare’s characterization of Macbeth exonerates the impact he had on the play. The
tone in Macbeth remains sinister and depressing throughout the play. Symbolism, on the other
hand, kept the tragedy in tact, and if understood, revealed the whole play in the very beginning of
The character of Macbeth profoundly effects the play, by means of transpiring his actions
to hurt others. If looking at the characteristics of good and evil, it makes the reader wonder what
makes a person good or evil. Evil is not born into people, but it is the only option they have
Three features we have seen stand out clear in the general conception of
Macbeth. There is his eminently practical nature, which is the key to the whole.
And the absence in him of the inner life adds two special features: one is his
helplessness under suspense, the other is the activity of his imagination with its
susceptibility to supernatural terrors...His practical power develops as capacity for
crime...his mind is as scorpions; it is tortured in restless ecstasy. Suspense has
undermined his judgment and brought on him the gambler’s fever...The third
feature in Macbeth is the quickening of his sensitiveness to the supernatural side
by side with the deadening of his conscience...In the reaction from the murder of
Banquo the supernatural appearance-which no eye sees but his own-appears more
real to him than the real life around him. And from this point he seeks the
supernatural, forces it to disclose its terrors, and thrusts himself into an agonized
vision of generations that are to witness the triumph of his foes. (Moulton ...