Sound Elements and Their Effects and Directorial Style
The following is an analysis of the 1994 film Pulp Fiction written and directed by Quentin Tarantino.The analysis will cover areas of the film, such as Sound Effects/Musical Score and Directorial Style. A Q and A session.
Sound Effects/Musical Score
Q: How are visible and invisible sound used in the film?
A: The visible sound used in this film is the extensive dialogues between characters that illustrate the life of a small mob in Los Angeles California. The invisible sound used in film was the narration which made the movie as great as it was. As talked the viewer ...view middle of the document...
If the character is sad or happy, excited what ever the state of mind the scene portrays the music reflects that. A sad song, happy song or a real racy song very up beat.
Q: How would you describe your directorâ€™s style in this movie?
A: Tarantino has a unique style of directing which favors an unconventional approach. In "Pulp Fiction," he employed a non-linear technique. He often uses flashbacks and/or a chapter format to develop a plot. Tarantino's style has probably been the most imitated and influential of any director of this generation. His work distinctly couples graphic violence with extensive, narrative-like dialogue. His films require audiences to listen attentively to exchanges while giving them the luxury to simply sit back and absorb dazzling audio and visual theatrics. This multi-faceted approach makes Tarantino's work so compelling, he has the power to make the viewer laugh, gasp, gag, and yell in just one scene.
Q: What do you think is / are this directorâ€™s primary goal(s) in making this movie? Does this director achieve his or her goal(s)?
A: I think the primary goal(s) of the director (Quentin Tarantino) was not to tell the store in the usual way (linear storytelling) but to put his on twist on it and tell it the way he wanted to. The following is a quote that Quentin Tarantino made while on the Charlie Rose Show: â€œItâ€™s not so much I don't believe in it [linear storytelling], it's not the fact that I'm on this big crusade against linear storytelling ... but it's not the only game in town. If I had written Pulp Fiction as a novel ... you would never even remotely bring up the structure.... A novel can do that [non-linear storytelling], no problem. Novelists have always had just a complete freedom to pretty much tell their story any way they saw fit. And that's kind of what I'm trying to do. Now the thing is, for both novels and film, 75% of the stories you're going to tell will work better on a dramatically engaging basis to be told from a linear way. But there is that 25% out there that can be more resonant by telling it this [non-linear] way. And I think in the case of both Reservoir Dogs and Pulp Fiction, it gains a lot more resonance being told in this kinda, like, wild wayâ€.
---Quentin Tarantino, on "The Charlie Rose Show"...
And from viewing the film I do believe he has achieved his goal.
Q: What are the directorâ€™s strengths and weaknesses in making this movie?
A: The director...